Jodi Hays works in a studio on the third floor in an old mission church. The dark, spooky hallways are filled with old furniture (and probably ghosts), but her workspace is warm and sunny—and the rent is only fifty bucks(!) I loved Hays’s paintings, particularly the surfaces, the degree of abstraction, her choice of imagery, and her sense of color. We talked a little about her artist statement, too. Here’s my edit: Depicting construction fences, festoons, caution tape, and traffic cones that mark transitional sites, Hays’s paintings use visual metaphor to explore personal circumstance.